J-Word Play: January/February ’11
é¡ã®ä¸ã«ã„る虫ã¯ä½•ã§ã—ょã†?
(ã‹ãŒã¿ã®ãªã‹ã«ã„ã‚‹ã‚€ã—ã¯ãªã‚“ã§ã—ょã†?)
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ã‚‚ã®ã™ã”ã„スピードã§èµ°ã‚‹ãƒã‚¹ã¯ä½•ã§ã™ã‹ï¼Ÿ (もã®ã™ã”ã„スピードã§ã¯ã—ã‚‹ãƒã‚¹ã¯ãªã‚“ã§ã™ã‹ï¼Ÿï¼‰
ã¿ã‚“ãªå¥½ããªè‚‰æ–™ç†ã£ã¦ãªã‚“ã§ã—ょã†ã‹ï¼Ÿ
(ã¿ã‚“ãªã™ããªã«ãりょã†ã‚Šã£ã¦ãªã‚“ã§ã—ょã†ã‹ï¼Ÿ)
Where in Hyogo can these precocious primates be found?
If you consider yourself a cinema enthusiast, you need to see the Hirokazu Koreeda (pronounced Kore-eda) film After Life (ワンダフルライフ). After Life is more than just a good movie; it presents a vision of life after death that can give anyone hope. Film lovers especially, however, will find themselves nodding in ferocious agreement when one of the deceased remarks, “…that really is heaven.â€
There are many ways to study geisha. Middle-aged American women have Memoirs of a Geisha and Oprah. Tourists can dress like geisha in Kyoto for an in-their-shoes experience. The rich and connected can attend legitimate geisha performances. Academics turn to scholarship and classical literature on the topic. Me? I learned everything I need to know about geisha from a film released in 2009 by director Iguchi Noboru (who also makes porn). His film taught me the four tenets of geisha:
食ã¹ã‚‹ã¨å®‰å¿ƒã™ã‚‹ã‚±ãƒ¼ã‚ã£ã¦ãªã‚“ã§ã—ょã†ï¼Ÿ (ãŸã¹ã‚‹ã¨ã‚ã‚“ã—ã‚“ã™ã‚‹ã‚±ãƒ¼ã‚ã£ã¦ãªã‚“ã§ã—ょã†ï¼Ÿ)